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Maynart W.STUDIO
2021-2022

Himmapan

Description

There are forest park name “Himmapan” It means snowy forest.A mythological wild is a boundary line between humankind with heaven. There were many magical creatures and magical plants. Said we could all go there when we are enlightened in the truth .

My garden has the same name and is where my daemon and plants are kept. 

āļŦāļīāļĄāļžāļēāļ™āļ•āđŒ

āļĄāļĩāļŠāļ§āļ™āļ›āđˆāļēāļŠāļ·āđˆāļ­ â€œāļŦāļīāļĄāļžāļēāļ™āļ•āđŒâ€ āđāļ›āļĨāļ§āđˆāļē āļœāļ·āļ™āļ›āđˆāļēāļŦāļīāļĄāļ° āļ›āđˆāļēāđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ›āđˆāļēāđƒāļ™āļ•āļģāļ™āļēāļ™ āđ€āļ›āđ‡āļ™āđ€āļŠāđ‰āļ™āđāļšāđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĄāļ™āļļāļĐāļĒāđŒāļāļąāļšāļŠāļ§āļĢāļĢāļ„āđŒ āļĄāļĩāļŠāļąāļ•āļ§āđŒāļ§āļīāđ€āļĻāļĐāđāļĨāļ°āļžāļ·āļŠāļ§āļīāđ€āļĻāļĐāļĄāļēāļāļĄāļēāļĒ āđ€āļĨāđˆāļēāļāļąāļ™āļ§āđˆāļēāđ€āļĢāļēāļ—āļļāļāļ„āļ™āļŠāļēāļĄāļēāļĢāļ–āđ„āļ›āļ—āļĩāđˆāļ™āļąāđˆāļ™āđ„āļ”āđ‰āđ€āļĄāļ·āđˆāļ­āđ€āļĢāļēāļĢāļđāđ‰āđāļˆāđ‰āļ‡āđƒāļ™āļ˜āļĢāļĢāļĄāļĄāļ°

āļŠāļ§āļ™āļ‚āļ­āļ‡āļ‰āļąāļ™āļĄāļĩāļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāđ€āļāđ‡āļšāļ āļđāļ• āļŠāļąāļ•āļ§āđŒāđ€āļĨāļĩāđ‰āļĒāļ‡ āđāļĨāļ°āļ•āđ‰āļ™āđ„āļĄāđ‰āļ‚āļ­āļ‡āļ‰āļąāļ™

NUBIN

Description

A little fairy her little wings take you to fly to me. 

This is a mixed media artwork that combines ink sketching with vivid graphic elements. The image depicts a black mouse with large, bird-like wings, spreading prominently across the center. Surrounding the mouse are various details, including white line-drawn flowers with red centers, soft watercolor-style blossoms, and a background made of layered rectangles in red, blue, pink, and light teal. Chaotic scribble patterns resembling tangled webs fill much of the space, adding a sense of mystery and complexity. In the upper right corner, a red origami butterfly appears to be flying, accompanied by a red origami heart nearby, evoking feelings of fantasy and hand-crafted delicacy. The rough texture of the image contrasts with the fine lines of the drawings, creating tension between softness and rawness. Overall, the artwork feels like a blend of reality and imagination, conveying the idea of the impossible made possible through the winged mouse and symbols of love and freedom.

āļ™āļēāļ‡āļŸāđ‰āļēāļ•āļąāļ§āļ™āđ‰āļ­āļĒ āļ›āļĩāļāļ•āļąāļ§āļ™āđ‰āļ­āļĒāļ‚āļ­āļ‡āđ€āļ˜āļ­āļžāļēāđ€āļ˜āļ­āļšāļīāļ™āļĄāļēāļŦāļēāļ‰āļąāļ™

     āļ™āļĩāđˆāļ„āļ·āļ­āļ āļēāļžāļĻāļīāļĨāļ›āļ°āđāļ™āļ§āļĄāļīāļāļ‹āđŒāļĄāļĩāđ€āļ”āļĩāļĒāļ—āļĩāđˆāļœāļŠāļĄāļœāļŠāļēāļ™āļ‡āļēāļ™āļ§āļēāļ”āđ€āļŠāđ‰āļ™āļŦāļĄāļķāļāļāļąāļšāļāļĢāļēāļŸāļīāļāļŠāļĩāļŠāļ” āļ āļēāļžāđāļŠāļ”āļ‡āļŦāļ™āļđāļŠāļĩāļ”āļģāļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāļĄāļĩāļ›āļĩāļāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ„āļĨāđ‰āļēāļĒāļ™āļ āđāļœāđˆāļāļēāļ‡āļ­āļ­āļāļ­āļĒāđˆāļēāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ­āļĒāļđāđˆāļāļĨāļēāļ‡āļ āļēāļž āļĢāļ­āļšāļ•āļąāļ§āļŦāļ™āļđāļĄāļĩāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļ—āļąāđ‰āļ‡āļ”āļ­āļāđ„āļĄāđ‰āļĨāļēāļĒāđ€āļŠāđ‰āļ™āļŠāļĩāļ‚āļēāļ§āđāļ•āđ‰āļĄāļˆāļļāļ”āļŠāļĩāđāļ”āļ‡ āļ”āļ­āļāđ„āļĄāđ‰āđ‚āļ—āļ™āļŠāļĩāļ™āđ‰āļģāļ—āļĩāđˆāļ”āļđāļ™āļļāđˆāļĄāļ™āļ§āļĨ āđāļĨāļ°āļžāļ·āđ‰āļ™āļŦāļĨāļąāļ‡āļ—āļĩāđˆāļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļ‹āđ‰āļ­āļ™āļāļąāļ™āļŦāļĨāļēāļĒāļŠāļąāđ‰āļ™āļŠāļĩāđāļ”āļ‡ āļŠāļĩāļŸāđ‰āļē āļŠāļĩāļŠāļĄāļžāļđāđāļĨāļ°āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āļ­āđˆāļ­āļ™ āļ•āļąāļ”āļāļąāļšāđ€āļŠāđ‰āļ™āļ‚āļĩāļ”āđ€āļ‚āļĩāļĒāļ™āļĒāļļāđˆāļ‡āđ€āļŦāļĒāļīāļ‡āļ„āļĨāđ‰āļēāļĒāđƒāļĒāđāļĄāļ‡āļĄāļļāļĄāļ‹āļķāđˆāļ‡āđāļœāđˆāļāļĢāļ°āļˆāļēāļĒāļ­āļĒāļđāđˆāđ€āļ•āđ‡āļĄāļ āļēāļž āđ€āļžāļīāđˆāļĄāļšāļĢāļĢāļĒāļēāļāļēāļĻāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āļ”āđ‰āļēāļ™āļĄāļļāļĄāļ‚āļ§āļēāļ›āļĢāļēāļāļāļœāļĩāđ€āļŠāļ·āđ‰āļ­āļāļĢāļ°āļ”āļēāļĐāļžāļąāļšāļŠāļĩāđāļ”āļ‡āļāļģāļĨāļąāļ‡āđ‚āļšāļĒāļšāļīāļ™ āđāļĨāļ°āļŦāļąāļ§āđƒāļˆāļāļĢāļ°āļ”āļēāļĐāļžāļąāļšāļŠāļĩāđāļ”āļ‡āļĨāļ­āļĒāļ­āļĒāļđāđˆāđ€āļ„āļĩāļĒāļ‡āļāļąāļ™ āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŠāļīāļ‡āđāļŸāļ™āļ•āļēāļ‹āļĩāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ‡āļēāļ™āļ„āļĢāļēāļŸāļ•āđŒ āļžāļ·āđ‰āļ™āļœāļīāļ§āļ āļēāļžāļĄāļĩāđ€āļ—āđ‡āļāļ‹āđŒāđ€āļˆāļ­āļĢāđŒāļŦāļĒāļēāļš āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ­āđˆāļ­āļ™āļ‚āļ­āļ‡āļĨāļēāļĒāđ€āļŠāđ‰āļ™āļāļąāļšāļ„āļ§āļēāļĄāļ”āļīāļšāļ‚āļ­āļ‡āļ‰āļēāļāļŦāļĨāļąāļ‡ āļ āļēāļžāļ™āļĩāđ‰āđ‚āļ”āļĒāļĢāļ§āļĄāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļāļēāļĢāļœāļŠāļĄāđ‚āļĨāļāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āļāļąāļšāļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āļšāļ­āļāđ€āļĨāđˆāļēāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļĄāđˆāđ„āļ”āđ‰āļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡āļœāđˆāļēāļ™āļŦāļ™āļđāļ—āļĩāđˆāļĄāļĩāļ›āļĩāļāđāļĨāļ°āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ­āļīāļŠāļĢāļ°

 āļ™āļĩāđˆāļ„āļ·āļ­āļ āļēāļžāļĻāļīāļĨāļ›āļ°āđāļ™āļ§āļĄāļīāļāļ‹āđŒāļĄāļĩāđ€āļ”āļĩāļĒāļ—āļĩāđˆāļœāļŠāļĄāļœāļŠāļēāļ™āļ‡āļēāļ™āļ§āļēāļ”āđ€āļŠāđ‰āļ™āļŦāļĄāļķāļāļāļąāļšāļāļĢāļēāļŸāļīāļāļŠāļĩāļŠāļ” āļ āļēāļžāđāļŠāļ”āļ‡āļŦāļ™āļđāļŠāļĩāļ”āļģāļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāļĄāļĩāļ›āļĩāļāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ„āļĨāđ‰āļēāļĒāļ™āļ āđāļœāđˆāļāļēāļ‡āļ­āļ­āļāļ­āļĒāđˆāļēāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ­āļĒāļđāđˆāļāļĨāļēāļ‡āļ āļēāļž āļĢāļ­āļšāļ•āļąāļ§āļŦāļ™āļđāļĄāļĩāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļ—āļąāđ‰āļ‡āļ”āļ­āļāđ„āļĄāđ‰āļĨāļēāļĒāđ€āļŠāđ‰āļ™āļŠāļĩāļ‚āļēāļ§āđāļ•āđ‰āļĄāļˆāļļāļ”āļŠāļĩāđāļ”āļ‡ āļ”āļ­āļāđ„āļĄāđ‰āđ‚āļ—āļ™āļŠāļĩāļ™āđ‰āļģāļ—āļĩāđˆāļ”āļđāļ™āļļāđˆāļĄāļ™āļ§āļĨ āđāļĨāļ°āļžāļ·āđ‰āļ™āļŦāļĨāļąāļ‡āļ—āļĩāđˆāļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļ‹āđ‰āļ­āļ™āļāļąāļ™āļŦāļĨāļēāļĒāļŠāļąāđ‰āļ™āļŠāļĩāđāļ”āļ‡ āļŠāļĩāļŸāđ‰āļē āļŠāļĩāļŠāļĄāļžāļđāđāļĨāļ°āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āļ­āđˆāļ­āļ™ āļ•āļąāļ”āļāļąāļšāđ€āļŠāđ‰āļ™āļ‚āļĩāļ”āđ€āļ‚āļĩāļĒāļ™āļĒāļļāđˆāļ‡āđ€āļŦāļĒāļīāļ‡āļ„āļĨāđ‰āļēāļĒāđƒāļĒāđāļĄāļ‡āļĄāļļāļĄāļ‹āļķāđˆāļ‡āđāļœāđˆāļāļĢāļ°āļˆāļēāļĒāļ­āļĒāļđāđˆāđ€āļ•āđ‡āļĄāļ āļēāļž āđ€āļžāļīāđˆāļĄāļšāļĢāļĢāļĒāļēāļāļēāļĻāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āļ”āđ‰āļēāļ™āļĄāļļāļĄāļ‚āļ§āļēāļ›āļĢāļēāļāļāļœāļĩāđ€āļŠāļ·āđ‰āļ­āļāļĢāļ°āļ”āļēāļĐāļžāļąāļšāļŠāļĩāđāļ”āļ‡āļāļģāļĨāļąāļ‡āđ‚āļšāļĒāļšāļīāļ™ āđāļĨāļ°āļŦāļąāļ§āđƒāļˆāļāļĢāļ°āļ”āļēāļĐāļžāļąāļšāļŠāļĩāđāļ”āļ‡āļĨāļ­āļĒāļ­āļĒāļđāđˆāđ€āļ„āļĩāļĒāļ‡āļāļąāļ™ āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŠāļīāļ‡āđāļŸāļ™āļ•āļēāļ‹āļĩāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ‡āļēāļ™āļ„āļĢāļēāļŸāļ•āđŒ āļžāļ·āđ‰āļ™āļœāļīāļ§āļ āļēāļžāļĄāļĩāđ€āļ—āđ‡āļāļ‹āđŒāđ€āļˆāļ­āļĢāđŒāļŦāļĒāļēāļš āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ­āđˆāļ­āļ™āļ‚āļ­āļ‡āļĨāļēāļĒāđ€āļŠāđ‰āļ™āļāļąāļšāļ„āļ§āļēāļĄāļ”āļīāļšāļ‚āļ­āļ‡āļ‰āļēāļāļŦāļĨāļąāļ‡ āļ āļēāļžāļ™āļĩāđ‰āđ‚āļ”āļĒāļĢāļ§āļĄāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļāļēāļĢāļœāļŠāļĄāđ‚āļĨāļāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āļāļąāļšāļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āļšāļ­āļāđ€āļĨāđˆāļēāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļĄāđˆāđ„āļ”āđ‰āļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡āļœāđˆāļēāļ™āļŦāļ™āļđāļ—āļĩāđˆāļĄāļĩāļ›āļĩāļāđāļĨāļ°āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ­āļīāļŠāļĢāļ°    This is a mixed media artwork that combines ink sketching with vivid graphic elements. The image depicts a black mouse with large, bird-like wings, spreading prominently across the center. Surrounding the mouse are various details, including white line-drawn flowers with red centers, soft watercolor-style blossoms, and a background made of layered rectangles in red, blue, pink, and light teal. Chaotic scribble patterns resembling tangled webs fill much of the space, adding a sense of mystery and complexity. In the upper right corner, a red origami butterfly appears to be flying, accompanied by a red origami heart nearby, evoking feelings of fantasy and hand-crafted delicacy. The rough texture of the image contrasts with the fine lines of the drawings, creating tension between softness and rawness. Overall, the artwork feels like a blend of reality and imagination, conveying the idea of the impossible made possible through the winged mouse and symbols of love and freedom.

Quiet corner beside to the Mantagini pool 

Description

In a beautiful moment warm afternoon The sound of the river calls for her to asleep. In a wonderful condition by the pool of heaven's pool to regain her vitality. With the magic of nature.

In the heart of a dense forest, nature breathes with a hushed rhythm, like a lullaby for the soul. Gentle sunlight filters through the tall canopy above, casting intricate patterns of shadow upon the moist earth and scattered stones. Within this tranquil scene, a magical creature nestles quietly—a cat, but not just any cat. It slumbers beneath the foliage with wings like those of a butterfly, delicate and translucent, fanned softly from its back as though responding to the forest’s breath.

The small stream meanders gently, weaving between mossy rocks, its silver light carving a serene path deeper into the glowing woodland. The entire scene feels as though it belongs to a forgotten fairy tale or a long-lost dream, tucked away in the quietest corner of the mind. The meticulous ink strokes forming this image convey both the fragility and strength of nature. It is a place and a reverie intertwined, where magic sleeps curled in the roots of trees.



āļĄāļļāļĄāļŠāļ‡āļšāđ€āļ‡āļĩāļĒāļšāļ‚āđ‰āļēāļ‡āļŠāļĢāļ° āļĄāļąāļ™āļ—āļēāļāļīāļ™āļĩ

āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāļ‡āļ”āļ‡āļēāļĄ āļĒāļēāļĄāļšāđˆāļēāļĒāļ—āļĩāđˆāļ­āļšāļ­āļļāđˆāļ™ āđ€āļŠāļĩāļĒāļ‡āļ‚āļ­āļ‡āļŠāļēāļĒāļ™āđ‰āļģāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āđƒāļŦāđ‰āđ€āļ˜āļ­āļŦāļĨāļąāļšāđƒāļŦāļĨ āđƒāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆ āļ—āļĩāđˆāđāļŠāļ™āļ§āļīāđ€āļĻāļĐāļĢāļīāļĄāļŠāļĢāļ°āļ™āđ‰āļģāđāļŦāđˆāļ‡āļŠāļ§āļĢāļĢāļ„āđŒ āđ€āļžāļ·āđˆāļ­āļŸāļ·āđ‰āļ™āļžāļĨāļąāļ‡āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ˜āļ­ āļ”āđ‰āļ§āļĒāđ€āļ§āļ—āļĄāļ™āļ•āđŒāļ§āļīāđ€āļĻāļĐāđāļŦāđˆāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī

āļāļĨāļēāļ‡āļœāļ·āļ™āļ›āđˆāļēāļĢāđˆāļĄāļ„āļĢāļķāđ‰āļĄ āđ€āļŠāļĩāļĒāļ‡āļĨāļĄāļŦāļēāļĒāđƒāļˆāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļœāđˆāļ§āđ€āļšāļēāļ”āļąāđˆāļ‡āļšāļ—āđ€āļžāļĨāļ‡āļāļĨāđˆāļ­āļĄāļ§āļīāļāļāļēāļ“ āđāļŠāļ‡āļ­āļēāļ—āļīāļ•āļĒāđŒāļ­āđˆāļ­āļ™āđ‚āļĒāļ™āļĨāļ­āļ”āļœāđˆāļēāļ™āļžāļļāđˆāļĄāđƒāļšāļŠāļđāļ‡āđƒāļŦāļāđˆ āļ—āļēāļšāđ€āļ‡āļēāđ„āļĄāđ‰āđ€āļ›āđ‡āļ™āļĨāļ§āļ”āļĨāļēāļĒāļ­āđˆāļ­āļ™āļŠāđ‰āļ­āļĒāļšāļ™āļžāļ·āđ‰āļ™āļŦāļīāļ™āđāļĨāļ°āļ”āļīāļ™āļŠāļ·āđ‰āļ™ āļ āļēāļžāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļŠāļ‡āļšāļ‡āļēāļĄāļ™āļĩāđ‰āļ–āļđāļāđāļ•āđˆāļ‡āđāļ•āđ‰āļĄāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļĨāļĩāđ‰āļĨāļąāļšâ€”āđāļĄāļ§āļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡āļŦāļĨāļąāļšāđƒāļŦāļĨāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāđƒāļ•āđ‰āđ€āļ‡āļēāđ„āļĄāđ‰ āļĄāļąāļ™āđ„āļĄāđˆāđƒāļŠāđˆāđāļĄāļ§āļ˜āļĢāļĢāļĄāļ”āļē āļŦāļēāļāđāļ•āđˆāđ€āļ›āđ‡āļ™āđāļĄāļ§āļ›āļĩāļāļœāļĩāđ€āļŠāļ·āđ‰āļ­ āļĄāļĩāļ›āļĩāļāđ‚āļ›āļĢāđˆāļ‡āļšāļēāļ‡āļ—āļĩāđˆāļšāļēāļ™āļ­āļ­āļāļ­āļĒāđˆāļēāļ‡āļ™āļļāđˆāļĄāļ™āļ§āļĨāļˆāļēāļāđāļœāđˆāļ™āļŦāļĨāļąāļ‡ āļ„āļĨāđ‰āļēāļĒāļˆāļ°āļ‚āļĒāļąāļšāđ„āļŦāļ§āļ•āļēāļĄāļˆāļąāļ‡āļŦāļ§āļ°āļĨāļĄāļŦāļēāļĒāđƒāļˆāļ‚āļ­āļ‡āļ›āđˆāļē āļĄāļąāļ™āļ‚āļ”āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ­āđˆāļ­āļ™āđ‚āļĒāļ™āđƒāļ™āļ­āđ‰āļ­āļĄāļāļ­āļ”āļ‚āļ­āļ‡āđāļŠāļ‡āđāļĨāļ°āđ€āļ‡āļē āļ›āļĢāļ°āļŦāļ™āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļœāļ·āļ™āļ›āđˆāļēāļ­āļąāļ™āļ™āļīāđˆāļ‡āļ‡āļąāļ™

āļĨāļģāļ˜āļēāļĢāđ€āļĨāđ‡āļāđ„āļŦāļĨāđ€āļ­āļ·āđˆāļ­āļĒāļœāđˆāļēāļ™āļāđ‰āļ­āļ™āļŦāļīāļ™āļ™āđ‰āļ­āļĒāđƒāļŦāļāđˆ āļ—āļ­āļ”āļ•āļąāļ§āļ„āļ”āđ€āļ„āļĩāđ‰āļĒāļ§āļĨāļķāļāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļĄāđˆāļēāļ™āđ„āļĄāđ‰āļ—āļĩāđˆāļŠāđˆāļ­āļ‡āļ›āļĢāļ°āļāļēāļĒāđāļŠāļ‡āļŠāļĩāđ€āļ‡āļīāļ™ āļ āļēāļžāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ™āļĩāđ‰āļ”āļđāļĢāļēāļ§āļāļąāļšāļŦāļĨāļļāļ”āļĄāļēāļˆāļēāļāļ™āļīāļ—āļēāļ™āļ›āļĢāļąāļĄāļ›āļĢāļē āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļāļąāļ™āļ—āļĩāđˆāļŦāļĨāļąāļšāđƒāļŦāļĨāļ­āļĒāļđāđˆāđƒāļ™āļĄāļļāļĄāļŠāļ‡āļšāļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆāļĄāļ™āļļāļĐāļĒāđŒ āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ‚āļ­āļ‡āđ€āļŠāđ‰āļ™āļŦāļĄāļķāļāļ—āļĩāđˆāļ—āļēāļšāļ—āļ­āļĨāļ‡āđƒāļ™āļ āļēāļžāļ™āļĩāđ‰āļŠāļ·āđˆāļ­āļ–āļķāļ‡āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āđ€āļ›āđ‡āļ™āļ—āļąāđ‰āļ‡āļŠāļ–āļēāļ™āļ—āļĩāđˆāđāļĨāļ°āļ āļ§āļąāļ‡āļ„āđŒāļ—āļĩāđˆāļĒāļēāļāļˆāļ°āđāļĒāļāļˆāļēāļāļāļąāļ™



āļāļĨāļēāļ‡āļœāļ·āļ™āļ›āđˆāļēāļĢāđˆāļĄāļ„āļĢāļķāđ‰āļĄ āđ€āļŠāļĩāļĒāļ‡āļĨāļĄāļŦāļēāļĒāđƒāļˆāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļœāđˆāļ§āđ€āļšāļēāļ”āļąāđˆāļ‡āļšāļ—āđ€āļžāļĨāļ‡āļāļĨāđˆāļ­āļĄāļ§āļīāļāļāļēāļ“ āđāļŠāļ‡āļ­āļēāļ—āļīāļ•āļĒāđŒāļ­āđˆāļ­āļ™āđ‚āļĒāļ™āļĨāļ­āļ”āļœāđˆāļēāļ™āļžāļļāđˆāļĄāđƒāļšāļŠāļđāļ‡āđƒāļŦāļāđˆ āļ—āļēāļšāđ€āļ‡āļēāđ„āļĄāđ‰āđ€āļ›āđ‡āļ™āļĨāļ§āļ”āļĨāļēāļĒāļ­āđˆāļ­āļ™āļŠāđ‰āļ­āļĒāļšāļ™āļžāļ·āđ‰āļ™āļŦāļīāļ™āđāļĨāļ°āļ”āļīāļ™āļŠāļ·āđ‰āļ™ āļ āļēāļžāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļŠāļ‡āļšāļ‡āļēāļĄāļ™āļĩāđ‰āļ–āļđāļāđāļ•āđˆāļ‡āđāļ•āđ‰āļĄāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļĨāļĩāđ‰āļĨāļąāļšâ€”āđāļĄāļ§āļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡āļŦāļĨāļąāļšāđƒāļŦāļĨāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāđƒāļ•āđ‰āđ€āļ‡āļēāđ„āļĄāđ‰ āļĄāļąāļ™āđ„āļĄāđˆāđƒāļŠāđˆāđāļĄāļ§āļ˜āļĢāļĢāļĄāļ”āļē āļŦāļēāļāđāļ•āđˆāđ€āļ›āđ‡āļ™āđāļĄāļ§āļ›āļĩāļāļœāļĩāđ€āļŠāļ·āđ‰āļ­ āļĄāļĩāļ›āļĩāļāđ‚āļ›āļĢāđˆāļ‡āļšāļēāļ‡āļ—āļĩāđˆāļšāļēāļ™āļ­āļ­āļāļ­āļĒāđˆāļēāļ‡āļ™āļļāđˆāļĄāļ™āļ§āļĨāļˆāļēāļāđāļœāđˆāļ™āļŦāļĨāļąāļ‡ āļ„āļĨāđ‰āļēāļĒāļˆāļ°āļ‚āļĒāļąāļšāđ„āļŦāļ§āļ•āļēāļĄāļˆāļąāļ‡āļŦāļ§āļ°āļĨāļĄāļŦāļēāļĒāđƒāļˆāļ‚āļ­āļ‡āļ›āđˆāļē āļĄāļąāļ™āļ‚āļ”āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ­āđˆāļ­āļ™āđ‚āļĒāļ™āđƒāļ™āļ­āđ‰āļ­āļĄāļāļ­āļ”āļ‚āļ­āļ‡āđāļŠāļ‡āđāļĨāļ°āđ€āļ‡āļē āļ›āļĢāļ°āļŦāļ™āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļœāļ·āļ™āļ›āđˆāļēāļ­āļąāļ™āļ™āļīāđˆāļ‡āļ‡āļąāļ™  āļĨāļģāļ˜āļēāļĢāđ€āļĨāđ‡āļāđ„āļŦāļĨāđ€āļ­āļ·āđˆāļ­āļĒāļœāđˆāļēāļ™āļāđ‰āļ­āļ™āļŦāļīāļ™āļ™āđ‰āļ­āļĒāđƒāļŦāļāđˆ āļ—āļ­āļ”āļ•āļąāļ§āļ„āļ”āđ€āļ„āļĩāđ‰āļĒāļ§āļĨāļķāļāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļĄāđˆāļēāļ™āđ„āļĄāđ‰āļ—āļĩāđˆāļŠāđˆāļ­āļ‡āļ›āļĢāļ°āļāļēāļĒāđāļŠāļ‡āļŠāļĩāđ€āļ‡āļīāļ™ āļ āļēāļžāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ™āļĩāđ‰āļ”āļđāļĢāļēāļ§āļāļąāļšāļŦāļĨāļļāļ”āļĄāļēāļˆāļēāļāļ™āļīāļ—āļēāļ™āļ›āļĢāļąāļĄāļ›āļĢāļē āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļāļąāļ™āļ—āļĩāđˆāļŦāļĨāļąāļšāđƒāļŦāļĨāļ­āļĒāļđāđˆāđƒāļ™āļĄāļļāļĄāļŠāļ‡āļšāļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆāļĄāļ™āļļāļĐāļĒāđŒ āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ‚āļ­āļ‡āđ€āļŠāđ‰āļ™āļŦāļĄāļķāļāļ—āļĩāđˆāļ—āļēāļšāļ—āļ­āļĨāļ‡āđƒāļ™āļ āļēāļžāļ™āļĩāđ‰āļŠāļ·āđˆāļ­āļ–āļķāļ‡āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āđ€āļ›āđ‡āļ™āļ—āļąāđ‰āļ‡āļŠāļ–āļēāļ™āļ—āļĩāđˆāđāļĨāļ°āļ āļ§āļąāļ‡āļ„āđŒāļ—āļĩāđˆāļĒāļēāļāļˆāļ°āđāļĒāļāļˆāļēāļāļāļąāļ™  âļŧ  In the heart of a dense forest, nature breathes with a hushed rhythm, like a lullaby for the soul. Gentle sunlight filters through the tall canopy above, casting intricate patterns of shadow upon the moist earth and scattered stones. Within this tranquil scene, a magical creature nestles quietly—a cat, but not just any cat. It slumbers beneath the foliage with wings like those of a butterfly, delicate and translucent, fanned softly from its back as though responding to the forest’s breath.  The small stream meanders gently, weaving between mossy rocks, its silver light carving a serene path deeper into the glowing woodland. The entire scene feels as though it belongs to a forgotten fairy tale or a long-lost dream, tucked away in the quietest corner of the mind. The meticulous ink strokes forming this image convey both the fragility and strength of nature. It is a place and a reverie intertwined, where magic sleeps curled in the roots of trees.

Elegiac-Vortexes

Description

Place in my garden I try because it absorbs everything. 

In the midst of a storm of light and shadow, this image reveals a vortex of distorted lines and textures, as if a swirling force pulls everything toward its darkened core. The entangled patterns resemble torn webs, merged with rhythmic patches of darkness. Within the spiral’s depth, a shadowy pit evokes the subconscious void. Fragmented forms—perhaps bodies or masks—emerge from the mass of shade, like identities drifting from reality into a trance-like state. The clash of black and white emphasizes an inner battle, transformation, and redemption. The entire scene breathes a raw, primal energy, capturing a moment between collapse and awakening.



āļ§āļąāļ‡āļ§āļ™āļ­āļąāļ™āļ—āļ™āļ—āļļāļāļ‚āđŒ

āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŠāļ–āļēāļ™āļ—āļĩāđˆāļ™āļķāļ‡āđƒāļ™āļŠāļ§āļ™āļ‚āļ­āļ‡āļ‰āļąāļ™ āļĄāļąāļ™āļžāļĒāļēāļĒāļēāļĄāļ—āļĩāđˆāļˆāļ°āļ”āļķāļ‡āļ”āļđāļ”āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļĨāļ‡āđ„āļ›

āļāļĨāļēāļ‡āļžāļēāļĒāļļāļ‚āļ­āļ‡āđāļŠāļ‡āđ€āļ‡āļē āļ āļēāļžāļ™āļĩāđ‰āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļāļēāļĢāļšāļīāļ”āđ€āļšāļĩāđ‰āļĒāļ§āļ‚āļ­āļ‡āđ€āļŠāđ‰āļ™āļŠāļēāļĒāđāļĨāļ°āļžāļ·āđ‰āļ™āļœāļīāļ§āļĢāļēāļ§āļāļąāļšāđāļĢāļ‡āļŦāļĄāļļāļ™āļ§āļ™āļ—āļĩāđˆāļ”āļķāļ‡āļ”āļđāļ”āļ—āļļāļāļŠāļīāđˆāļ‡āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡ āļĨāļ§āļ”āļĨāļēāļĒāļ—āļĩāđˆāļžāļąāļ™āļāļąāļ™āđ€āļ›āđ‡āļ™āđ€āļāļĨāļĩāļĒāļ§āļ„āļĨāđ‰āļēāļĒāđƒāļĒāđāļĄāļ‡āļĄāļļāļĄāļ‰āļĩāļāļ‚āļēāļ” āļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļ„āļ§āļēāļĄāļĄāļ·āļ”āļ—āļĩāđˆāļāļĢāļ°āļˆāļēāļĒāļ•āļąāļ§āđ€āļ›āđ‡āļ™āļˆāļąāļ‡āļŦāļ§āļ° āļ āļēāļĒāđƒāļ™āļ§āļ‡āļāļĨāļĄāļ§āļ™āļĨāļķāļāļ”āļģāļ„āļĨāđ‰āļģāļ„āļĨāđ‰āļēāļĒāđ‚āļžāļĢāļ‡āđāļŦāđˆāļ‡āļˆāļīāļ•āđƒāļ•āđ‰āļŠāļģāļ™āļķāļ āļ āļēāļžāļĢāđˆāļēāļ‡āļ‚āļ­āļ‡āļšāļēāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļđāļ„āļĨāđ‰āļēāļĒāļĢāđˆāļēāļ‡āļāļēāļĒāļŦāļĢāļ·āļ­āļŦāļ™āđ‰āļēāļāļēāļāđ‚āļœāļĨāđˆāļžāđ‰āļ™āļˆāļēāļāļĄāļ§āļĨāđ€āļ‡āļē āđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļˆāļīāļ•āļ—āļĩāđˆāļŦāļĨāļļāļ”āļĢāđˆāļ§āļ‡āļˆāļēāļāļāļĢāļ­āļšāđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ āļ§āļąāļ‡āļ„āđŒāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡ āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ‚āļēāļ§āļ”āļģāļ–āļđāļāļ‚āļąāļšāđ€āļ™āđ‰āļ™āđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāļ–āļķāļ‡āļžāļĨāļąāļ‡āđāļŦāđˆāļ‡āļāļēāļĢāļ•āđˆāļ­āļŠāļđāđ‰ āļāļēāļĢāđāļ›āļĢāļŠāļ āļēāļž āđāļĨāļ°āļāļēāļĢāđ„āļ–āđˆāļšāļēāļ›āļ āļēāļĒāđƒāļ™āđƒāļˆ



āļāļĨāļēāļ‡āļžāļēāļĒāļļāļ‚āļ­āļ‡āđāļŠāļ‡āđ€āļ‡āļē āļ āļēāļžāļ™āļĩāđ‰āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļāļēāļĢāļšāļīāļ”āđ€āļšāļĩāđ‰āļĒāļ§āļ‚āļ­āļ‡āđ€āļŠāđ‰āļ™āļŠāļēāļĒāđāļĨāļ°āļžāļ·āđ‰āļ™āļœāļīāļ§āļĢāļēāļ§āļāļąāļšāđāļĢāļ‡āļŦāļĄāļļāļ™āļ§āļ™āļ—āļĩāđˆāļ”āļķāļ‡āļ”āļđāļ”āļ—āļļāļāļŠāļīāđˆāļ‡āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡ āļĨāļ§āļ”āļĨāļēāļĒāļ—āļĩāđˆāļžāļąāļ™āļāļąāļ™āđ€āļ›āđ‡āļ™āđ€āļāļĨāļĩāļĒāļ§āļ„āļĨāđ‰āļēāļĒāđƒāļĒāđāļĄāļ‡āļĄāļļāļĄāļ‰āļĩāļāļ‚āļēāļ” āļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļ„āļ§āļēāļĄāļĄāļ·āļ”āļ—āļĩāđˆāļāļĢāļ°āļˆāļēāļĒāļ•āļąāļ§āđ€āļ›āđ‡āļ™āļˆāļąāļ‡āļŦāļ§āļ° āļ āļēāļĒāđƒāļ™āļ§āļ‡āļāļĨāļĄāļ§āļ™āļĨāļķāļāļ”āļģāļ„āļĨāđ‰āļģāļ„āļĨāđ‰āļēāļĒāđ‚āļžāļĢāļ‡āđāļŦāđˆāļ‡āļˆāļīāļ•āđƒāļ•āđ‰āļŠāļģāļ™āļķāļ āļ āļēāļžāļĢāđˆāļēāļ‡āļ‚āļ­āļ‡āļšāļēāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļđāļ„āļĨāđ‰āļēāļĒāļĢāđˆāļēāļ‡āļāļēāļĒāļŦāļĢāļ·āļ­āļŦāļ™āđ‰āļēāļāļēāļāđ‚āļœāļĨāđˆāļžāđ‰āļ™āļˆāļēāļāļĄāļ§āļĨāđ€āļ‡āļē āđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļˆāļīāļ•āļ—āļĩāđˆāļŦāļĨāļļāļ”āļĢāđˆāļ§āļ‡āļˆāļēāļāļāļĢāļ­āļšāđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ āļ§āļąāļ‡āļ„āđŒāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡ āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ‚āļēāļ§āļ”āļģāļ–āļđāļāļ‚āļąāļšāđ€āļ™āđ‰āļ™āđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāļ–āļķāļ‡āļžāļĨāļąāļ‡āđāļŦāđˆāļ‡āļāļēāļĢāļ•āđˆāļ­āļŠāļđāđ‰ āļāļēāļĢāđāļ›āļĢāļŠāļ āļēāļž āđāļĨāļ°āļāļēāļĢāđ„āļ–āđˆāļšāļēāļ›āļ āļēāļĒāđƒāļ™āđƒāļˆ  In the midst of a storm of light and shadow, this image reveals a vortex of distorted lines and textures, as if a swirling force pulls everything toward its darkened core. The entangled patterns resemble torn webs, merged with rhythmic patches of darkness. Within the spiral’s depth, a shadowy pit evokes the subconscious void. Fragmented forms—perhaps bodies or masks—emerge from the mass of shade, like identities drifting from reality into a trance-like state. The clash of black and white emphasizes an inner battle, transformation, and redemption. The entire scene breathes a raw, primal energy, capturing a moment between collapse and awakening.

INnoCENT

Description

Who is sheWhy does she look different from others, where has the color on her gone?

I’m white rabbit, I have no color because no one can find me. 

āļœāļđāđ‰āļšāļĢāļīāļŠāļļāļ—āļ˜āļīāđŒ

āđ€āļ˜āļ­āļ„āļ·āļ­āļ•āļąāļ§āļ­āļ°āđ„āļĢāļ—āļģāđ„āļĄāđ€āļ˜āļ­āļ”āļđāđāļ•āļāļ•āđˆāļēāļ‡āļˆāļēāļāļ„āļ™āļ­āļ·āđˆāļ™ āļ—āļģāđ„āļĄāđ€āļ˜āļ­āļ–āļķāļ‡āđ„āļĄāđˆāļĄāļĩāļŠāļĩ

āļ‰āļąāļ™āļ„āļ·āļ­āļāļĢāļ°āļ•āđˆāļēāļĒāļ‚āļēāļ§ āļ‰āļąāļ™āđ„āļĄāđˆāļĄāļĩāļŠāļĩāđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāđ€āļ„āļĒāļ‰āļąāļ™āđ€āļˆāļ­āļ•āļąāļ§āļ‰āļąāļ™

āđƒāļ™āļĒāļēāļĄāļ„āđˆāļģāļ„āļ·āļ™āļ­āļąāļ™āđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļš āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āđāļŠāļ‡āļˆāļąāļ™āļ—āļĢāđŒāļŠāļĩāļ—āļ­āļ‡āļ—āļĩāđˆāļŠāļēāļ”āļŠāđˆāļ­āļ‡āļĨāļ‡āļĄāļēāļšāļ™āđ‚āļĨāļāđƒāļ•āđ‰āļŸāđ‰āļē āļ āļēāļžāļ—āļīāļ§āđ„āļĄāđ‰āđ€āļĄāđ€āļ›āļīāđ‰āļĨāđāļ”āļ‡āļŠāļ°āļžāļĢāļąāđˆāļ‡āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļĪāļ”āļđāđƒāļšāđ„āļĄāđ‰āļĢāđˆāļ§āļ‡āļ—āļĩāđˆāļŠāļļāļāļ‡āļ­āļĄāļ‡āļ”āļ‡āļēāļĄ āļĢāļēāļ§āļāļąāļšāđ€āļ›āļĨāļ§āđ„āļŸāļ—āļĩāđˆāļĨāļļāļāļ§āļēāļšāļ­āļĒāļđāđˆāļāļĨāļēāļ‡āļ„āļ§āļēāļĄāļāļąāļ™ āđƒāļšāđ„āļĄāđ‰āļ›āļĨāļīāļ§āđ„āļŠāļ§āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļĨāļĄāļŦāļ™āļēāļ§āđ€āļšāļēāļšāļēāļ‡ āļ‚āļąāļšāđ€āļ™āđ‰āļ™āļ‰āļēāļāļŦāļĨāļąāļ‡āļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āļāļēāļĒāļ”āļ§āļ‡āļ”āļēāļ§āđāļĨāļ°āļāļĨāļļāđˆāļĄāđ€āļĄāļ†āļŠāļĩāļ™āđ‰āļģāđ€āļ‡āļīāļ™āđ€āļ‚āđ‰āļĄāļ•āļąāļ”āļāļąāļšāļŠāļĩāđāļ”āļ‡āļ‚āļ­āļ‡āđƒāļšāđ„āļĄāđ‰  āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ„āļ§āļēāļĄāđāļŸāļ™āļ•āļēāļ‹āļĩāļ‚āļ­āļ‡āļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ™āļĩāđ‰ āļ›āļĢāļēāļāļāļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļ§āļīāđ€āļĻāļĐāļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡ āļĢāļđāļ›āļĢāđˆāļēāļ‡āļ„āļĨāđ‰āļēāļĒāđāļĄāļ§āđāļ•āđˆāļĄāļĩāļ›āļĩāļāļŠāļ§āļĢāļĢāļ„āđŒāļ­āļąāļ™āđ€āļˆāļīāļ”āļˆāđ‰āļē āđāļžāļĢāļŠāļĩāļŠāļąāļ™āļŠāļ°āļ—āđ‰āļ­āļ™āđāļŠāļ‡āļĢāļļāđ‰āļ‡āļĢāļ°āđ€āļĢāļ·āđˆāļ­āļ—āļąāđˆāļ§āļ—āļąāđ‰āļ‡āļ•āļąāļ§ āđ€āļŠāđ‰āļ™āļ‚āļ™āļ—āļĩāđˆāļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ›āļĨāļ§āđ„āļŸāļŦāļĨāļ­āļĄāļĢāļ§āļĄāđ€āļ‚āđ‰āļēāļāļąāļšāļŠāļēāļĒāļĢāļļāđ‰āļ‡ āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļ—āļĩāđˆāđ„āļĢāđ‰āļ‚āļ­āļšāđ€āļ‚āļ• āļ”āļ§āļ‡āļ•āļēāļ‚āļ­āļ‡āļĄāļąāļ™āđ€āļĻāļĢāđ‰āļēāļĨāļķāļāđāļ•āđˆāđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļĢāļēāļ§āļāļąāļšāļ‹āđˆāļ­āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļˆāļąāļāļĢāļ§āļēāļĨāđ€āļ­āļēāđ„āļ§āđ‰āđƒāļ™āļ„āļ§āļēāļĄāđ€āļ‡āļĩāļĒāļš  āđƒāļ•āđ‰āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļāļĨāđ‰āđ† āļāļąāļ™ āļĄāļĩāđ€āļˆāđ‰āļēāļāļĢāļ°āļ•āđˆāļēāļĒāļ•āļąāļ§āļ™āđ‰āļ­āļĒāļŠāļĩāļ‚āļēāļ§āļ§āļēāļ”āļ”āđ‰āļ§āļĒāļŦāļĄāļķāļāļ‚āļēāļ§āļ”āļģāļ™āļąāđˆāļ‡āļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļŠāļąāļĒ āļ”āļ§āļ‡āļ•āļēāđ€āļšāļīāļāļāļ§āđ‰āļēāļ‡āđāļĨāļ°āļŦāļđāļ•āļąāđ‰āļ‡āļŠāļąāļ™ āļĄāļąāļ™āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļˆāļēāļāđ‚āļĨāļāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļˆāđ‰āļ­āļ‡āļĄāļ­āļ‡āļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļˆāļēāļāđ‚āļĨāļāđāļŦāđˆāļ‡āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āļĢāļēāļ§āļāļąāļšāļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļ–āļđāļāđ€āļĢāļĩāļĒāļāļĄāļēāđƒāļŦāđ‰āļžāļšāļāļąāļ™āđ‚āļ”āļĒāļžāļĢāļĄāļĨāļīāļ‚āļīāļ•āļ—āļĩāđˆāđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļĢāļđāđ‰  āļ āļēāļžāļ™āļĩāđ‰āļ„āļ·āļ­āļāļēāļĢāļœāļŠāļēāļ™āļ‚āļ­āļ‡āđ‚āļĨāļāļŠāļ­āļ‡āđƒāļšâ€”āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļāļąāļ™â€”āļ‹āđ‰āļ­āļ™āļ—āļąāļšāļāļąāļ™āđƒāļ™āļŦāđ‰āļ§āļ‡āđ€āļ§āļĨāļēāđāļŦāđˆāļ‡āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āđ€āļ›āđ‡āļ™āļšāļ—āļāļ§āļĩāđ€āļ‡āļĩāļĒāļšāļ—āļĩāđˆāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ–āđ‰āļ­āļĒāļ„āļģāđƒāļ”āđ†  âļŧ  On a quiet night, beneath the golden moon casting its soft glow upon the earth, vibrant maple leaves flare in a blaze of crimson—autumn’s final breath etched in burning beauty. The wind stirs the leaves gently, carrying the fragrance of a fading season under a sky speckled with stars and layered in midnight hues.  Within this fantastical landscape stands a mythical creature—cat-like in form, yet adorned with celestial wings that shimmer in a spectrum of colors. Its fur glows like iridescent flames, painting the scene with magic and wonder. Its eyes, deep and melancholic, seem to hold the stories of countless dreams, untold and eternal.  Nearby, beneath the painted trees, a small white rabbit sketched in simple black lines gazes up in awe. Its wide eyes and perked ears reflect both innocence and curiosity, as if it had stumbled into a world it could never fully understand—a creature of reality observing a being of dreams.  This image is the meeting of two worlds—reality and fantasy—overlapping in a fleeting moment of imagination. It is a silent poem that needs no words.

Marnfand

Description

It's called Marnfand, it's a type of demonic beast in the species of Dream Eater. It was a magical beast with the ability to eat both good and bad dreams. It will appear up where there is a dream, when it eats a dream that dream will last forever. It was the creature that was the beginning of building a garden to feed it. On a sweet night, this magical beast came to me. And ask me to feed it, I try to feed my dreams every good night. Since that day, it has become my pet. 

āļĄāļēāļĢāļāļąāļ™

āđ€āļˆāđ‰āļēāļ•āļąāļ§āļ™āļĩāđ‰āļ–āļđāļāđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļĄāļēāļĢāļāļąāļ™ āđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ āļđāļ•āļŠāļ™āļīāļ”āļ™āļķāļ‡āđƒāļ™āļŠāļēāļĒāļžāļąāļ™āļ˜āļļāđŒ āļ•āļąāļ§āļāļīāļ™āļāļąāļ™ āļĄāļąāļ™āđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ­āļŠāļđāļĢāļ—āļĩāđˆāļāļīāļ™āđ„āļ”āđ‰āļ—āļąāđ‰āļ‡āļāļąāļ™āļ”āļĩāđāļĨāļ°āļāļąāļ™āļĢāđ‰āļēāļĒ āļĄāļąāļ™āļˆāļ°āļ›āļĢāļēāļāļāļ•āļąāļ§āļ‚āļķāđ‰āļ™āđƒāļ™āļ—āļĩāđˆ āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļāļąāļ™ āļ„āļ§āļēāļĄāļāļąāļ™āļ—āđˆāļĄāļąāļ™āļāļīāļ™āđ€āļ‚āđ‰āļēāđ„āļ› āļˆāļ°āļ„āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđ‰āļ™āļ•āļĨāļ­āļ”āđ„āļ›

āļĄāļąāļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļ•āļąāļ§āđāļĢāļāđƒāļ™āļŠāļ§āļ™āļ‚āļ­āļ‡āļ‰āļąāļ™ āđƒāļ™āļ„āđˆāļģāļ„āļ·āļ™āļ™āļķāļ‡āđ€āļˆāđ‰āļēāļ•āļąāļ§āļ™āļĩāđ‰āļĄāļēāļŦāļēāļ‰āļąāļ™ āļ‚āļ­āđƒāļŦāđ‰āļ‰āļąāļ™āļ›āđ‰āļ­āļ™āļ­āļēāļŦāļēāļĢāđƒāļŦāđ‰ āļˆāļēāļāļ™āļąāđ‰āļ™āļĄāļąāļ™āļāđ‡āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāđ€āļĨāļĩāđ‰āļĒāļ‡āļ‚āļ­āļ‡āļ‰āļąāļ™

It's called Marnfand, it's a type of demonic beast in the species of Dream Eater. It was a magical beast with the ability to eat both good and bad dreams. It will appear up where there is a dream, when it eats a dream that dream will last forever. It was the creature that was the beginning of building a garden to feed it. On a sweet night, this magical beast came to me. And ask me to feed it, I try to feed my dreams every good night. Since that day, it has become my pet. āđ€āļˆāđ‰āļēāļ•āļąāļ§āļ™āļĩāđ‰āļ–āļđāļāđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļĄāļēāļĢāļāļąāļ™ āđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ āļđāļ•āļŠāļ™āļīāļ”āļ™āļķāļ‡āđƒāļ™āļŠāļēāļĒāļžāļąāļ™āļ˜āļļāđŒ āļ•āļąāļ§āļāļīāļ™āļāļąāļ™ āļĄāļąāļ™āđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ­āļŠāļđāļĢāļ—āļĩāđˆāļāļīāļ™āđ„āļ”āđ‰āļ—āļąāđ‰āļ‡āļāļąāļ™āļ”āļĩāđāļĨāļ°āļāļąāļ™āļĢāđ‰āļēāļĒ āļĄāļąāļ™āļˆāļ°āļ›āļĢāļēāļāļāļ•āļąāļ§āļ‚āļķāđ‰āļ™āđƒāļ™āļ—āļĩāđˆ āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļāļąāļ™ āļ„āļ§āļēāļĄāļāļąāļ™āļ—āđˆāļĄāļąāļ™āļāļīāļ™āđ€āļ‚āđ‰āļēāđ„āļ› āļˆāļ°āļ„āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđ‰āļ™āļ•āļĨāļ­āļ”āđ„āļ› āļĄāļąāļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļĄāļĩāļŠāļĩāļ§āļīāļ•āļ•āļąāļ§āđāļĢāļāđƒāļ™āļŠāļ§āļ™āļ‚āļ­āļ‡āļ‰āļąāļ™ āđƒāļ™āļ„āđˆāļģāļ„āļ·āļ™āļ™āļķāļ‡āđ€āļˆāđ‰āļēāļ•āļąāļ§āļ™āļĩāđ‰āļĄāļēāļŦāļēāļ‰āļąāļ™ āļ‚āļ­āđƒāļŦāđ‰āļ‰āļąāļ™āļ›āđ‰āļ­āļ™āļ­āļēāļŦāļēāļĢāđƒāļŦāđ‰ āļˆāļēāļāļ™āļąāđ‰āļ™āļĄāļąāļ™āļāđ‡āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāđ€āļĨāļĩāđ‰āļĒāļ‡āļ‚āļ­āļ‡āļ‰āļąāļ™

Dark rabbit

Description

In the middle of the night we were watching you.

āļāļĢāļ°āļ•āđˆāļēāļĒāļ”āļģ

āļāļĨāļēāļ‡āļ”āļķāļāđ€āļĢāļēāđ€āļāđ‰āļēāļĄāļ­āļ‡āļ„āļļāļ“āļ­āļĒāļđāđˆ

āļ āļēāļžāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ āļēāļžāļ§āļēāļ”āļĨāļēāļĒāđ€āļŠāđ‰āļ™āļ‚āļēāļ§āļ”āļģāļ—āļĩāđˆāđāļŠāļ”āļ‡āļ–āļķāļ‡āļāļĢāļ°āļ•āđˆāļēāļĒāļ•āļąāļ§āļŦāļ™āļķāđˆāļ‡āļ‹āļķāđˆāļ‡āļ™āļąāđˆāļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļ™āļīāđˆāļ‡āđƒāļ•āđ‰āļžāļļāđˆāļĄāđ„āļĄāđ‰ āļĨāļąāļāļĐāļ“āļ°āļ‚āļ­āļ‡āļāļĢāļ°āļ•āđˆāļēāļĒāļĄāļĩāļ„āļ§āļēāļĄāļ­āđˆāļ­āļ™āđ‚āļĒāļ™āđāļĨāļ°āđ€āļ›āļĩāđˆāļĒāļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļŠāļĩāļ§āļīāļ•āļŠāļĩāļ§āļē āļ”āļ§āļ‡āļ•āļēāļāļĨāļĄāđ‚āļ•āļŠāļ·āđˆāļ­āļ–āļķāļ‡āļ„āļ§āļēāļĄāđ„āļĢāđ‰āđ€āļ”āļĩāļĒāļ‡āļŠāļēāđāļĨāļ°āļ„āļ§āļēāļĄāļ­āļĒāļēāļāļĢāļđāđ‰āļ­āļĒāļēāļāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļĄāļąāļ™ āđ€āļŠāđ‰āļ™āļĨāļēāļĒāļ—āļĩāđˆāđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāļ§āļēāļ”āļĄāļĩāļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ” āļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āđāļĨāļ°āļ­āđˆāļ­āļ™āļŠāđ‰āļ­āļĒ āļŠāļ·āđˆāļ­āļ–āļķāļ‡āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ“āļĩāļ•āļ‚āļ­āļ‡āļĻāļīāļĨāļ›āļīāļ™āđƒāļ™āļāļēāļĢāļ–āđˆāļēāļĒāļ—āļ­āļ”āļĨāļąāļāļĐāļ“āļ°āđāļĨāļ°āļ­āļēāļĢāļĄāļ“āđŒāļ‚āļ­āļ‡āļŠāļąāļ•āļ§āđŒāļ™āđ‰āļ­āļĒāļ•āļąāļ§āļ™āļĩāđ‰ āļ‰āļēāļāļŦāļĨāļąāļ‡āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāđƒāļšāđ„āļĄāđ‰āđāļĨāļ°āđ€āļ‡āļēāđ„āļĄāđ‰āļ‹āļķāđˆāļ‡āđāļŠāļ”āļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļķāļāđāļĨāļ°āļĄāļīāļ•āļīāļ‚āļ­āļ‡āļ›āđˆāļē āļ—āļģāđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļāļĢāļ°āļ•āđˆāļēāļĒāļāļģāļĨāļąāļ‡āļŦāļĨāļšāļ‹āđˆāļ­āļ™āļ•āļąāļ§āļ­āļĒāļđāđˆāđƒāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āļŠāļ‡āļšāđ€āļ‡āļĩāļĒāļš  āđƒāļ™āļĄāļļāļĄāļĨāđˆāļēāļ‡āļ‹āđ‰āļēāļĒāļ‚āļ­āļ‡āļ āļēāļžāļĄāļĩāļ„āļīāļ§āļ­āļēāļĢāđŒāđ‚āļ„āđ‰āļ”āļžāļĢāđ‰āļ­āļĄāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ â€œMaynart W.STUDIO” āđāļĨāļ°āļŠāļ·āđˆāļ­āļ‚āļ­āļ‡āļĻāļīāļĨāļ›āļīāļ™ â€œMaynart Warwatcharakul” āļžāļĢāđ‰āļ­āļĄāđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ “www.MaynartW.com” āļ‹āļķāđˆāļ‡āļšāđˆāļ‡āļšāļ­āļāļ–āļķāļ‡āļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āļœāļĨāļ‡āļēāļ™āļ™āļĩāđ‰  This image is a monochrome line drawing that beautifully portrays a rabbit sitting quietly beneath a thicket. The rabbit exudes gentleness and vitality, its large round eyes reflecting innocence and curiosity. The intricate and delicate line work used by the artist highlights not only the texture of the rabbit’s fur but also its subtle emotions. The background, filled with foliage and shadows, creates a deep, layered forest atmosphere, suggesting that the rabbit is nestled safely and peacefully within its natural habitat.  In the bottom left corner, a QR code appears alongside the text “Maynart W.STUDIO” and the artist’s name, “Maynart Warwatcharakul,” as well as the website “www.MaynartW.com,” indicating the artwork’s creator and origin.

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 Cryptocurrency, Non-Fungible Token, Bitcoin, NFTs   Digital Painting, Character, arts, illustration, Line art, animeart, inkart, aesthetic, serrealism art, Gallery, āđāļāļĨāļĨāļ­āļĢāļĩāđˆ, āđ‚āļ—āđ€āļ„āļ™, āļ”āļīāļˆāļīāļ—āļąāļĨ, āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ, āļ āļēāļžāļ›āļĢāļ°āļāļ­āļš, āļĨāļēāļĒāđ€āļŠāđ‰āļ™, āļ­āļ°āļ™āļīāđ€āļĄāļ°, āļĻāļīāļĨāļ›āļ° āļŦāļĄāļķāļ, āļ„āļ§āļēāļĄāļ‡āļēāļĄ Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ Inoon art

Digital art

digital and visual arts
 Cryptocurrency, Non-Fungible Token, Bitcoin, NFTs   Digital Painting, Character, arts, illustration, Line art, animeart, inkart, aesthetic, serrealism art, Gallery, āđāļāļĨāļĨāļ­āļĢāļĩāđˆ, āđ‚āļ—āđ€āļ„āļ™, āļ”āļīāļˆāļīāļ—āļąāļĨ, āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ, āļ āļēāļžāļ›āļĢāļ°āļāļ­āļš, āļĨāļēāļĒāđ€āļŠāđ‰āļ™, āļ­āļ°āļ™āļīāđ€āļĄāļ°, āļĻāļīāļĨāļ›āļ° āļŦāļĄāļķāļ, āļ„āļ§āļēāļĄāļ‡āļēāļĄ Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ Inoon art

Painting

Primal painting
 Cryptocurrency, Non-Fungible Token, Bitcoin, NFTs   Digital Painting, Character, arts, illustration, Line art, animeart, inkart, aesthetic, serrealism art, Gallery, āđāļāļĨāļĨāļ­āļĢāļĩāđˆ, āđ‚āļ—āđ€āļ„āļ™, āļ”āļīāļˆāļīāļ—āļąāļĨ, āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ, āļ āļēāļžāļ›āļĢāļ°āļāļ­āļš, āļĨāļēāļĒāđ€āļŠāđ‰āļ™, āļ­āļ°āļ™āļīāđ€āļĄāļ°, āļĻāļīāļĨāļ›āļ° āļŦāļĄāļķāļ, āļ„āļ§āļēāļĄāļ‡āļēāļĄ Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ Inoon art

Darwing

Draw basic lines by hand on paper.
 Cryptocurrency, Non-Fungible Token, Bitcoin, NFTs   Digital Painting, Character, arts, illustration, Line art, animeart, inkart, aesthetic, serrealism art, Gallery, āđāļāļĨāļĨāļ­āļĢāļĩāđˆ, āđ‚āļ—āđ€āļ„āļ™, āļ”āļīāļˆāļīāļ—āļąāļĨ, āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ, āļ āļēāļžāļ›āļĢāļ°āļāļ­āļš, āļĨāļēāļĒāđ€āļŠāđ‰āļ™, āļ­āļ°āļ™āļīāđ€āļĄāļ°, āļĻāļīāļĨāļ›āļ° āļŦāļĄāļķāļ, āļ„āļ§āļēāļĄāļ‡āļēāļĄ Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ Inoon art

Ceramic

Onglaze Stain
Sketch of a butterfly symbol. It is the representative logo of Menart or Maynart's studio . It's a technique for drawing pen on paper.

Design

Creative from subject
 Cryptocurrency, Non-Fungible Token, Bitcoin, NFTs   Digital Painting, Character, arts, illustration, Line art, animeart, inkart, aesthetic, serrealism art, Gallery, āđāļāļĨāļĨāļ­āļĢāļĩāđˆ, āđ‚āļ—āđ€āļ„āļ™, āļ”āļīāļˆāļīāļ—āļąāļĨ, āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ, āļ āļēāļžāļ›āļĢāļ°āļāļ­āļš, āļĨāļēāļĒāđ€āļŠāđ‰āļ™, āļ­āļ°āļ™āļīāđ€āļĄāļ°, āļĻāļīāļĨāļ›āļ° āļŦāļĄāļķāļ, āļ„āļ§āļēāļĄāļ‡āļēāļĄ Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ Inoon art

Craft

Embroidery and royal art

ÂĐ Maynart Waratwatchara  

Maynart waratwatchara āđ€āļĄāļ™āļēāļ— āļ§āļĢāļĢāļąāļ•āļ™āļ§āļąāļŠāļĢ  inoon art craft
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